American Paradise

American Paradise is a new project that reframes the history of the Hudson River School to give visibility to the many women who were affiliated with this iconic movement but who have been largely omitted from the canon. The title of the project–invoked critically–takes its name from American Paradise: The World of the Hudson River School, an exhibition catalog published in 1987 by the Met that perpetuates the mythology of the Hudson River School as being founded by, and exclusively comprised of, men.

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In fact, as early as 1818—seven years before its ostensible founding in 1825—women were painting scenes of the Catskills and beyond in styles ascribed to the movement’s “founding fathers,” Asher Durand and Thomas Cole.

American Paradise is comprised of a series of trompe l’oeil paintings that make visible the never-finished act of historical recovery, drawings that function as revisions to historical documents, print editions that visualize the surreptitious ways women transcended the constraints of their clothes and society, and a series of imagined second, third, and fourth editions of the Met’s 1987 iconic catalog that insert works by these women into the canon by way of the frontispiece. 
 
 

View Exhibitions:

Women Reframe American Landscape at the Thomas Cole National Historic Site and traveling to the New Britain Museum of American Art
Value Studies at PATRON
ID: Formations of the Self at the Shirley Fiterman Art Center

View Press and Other Texts:

Boston Globe
New York Times
Washington Post
Artnet
Hyperallergic
Art-agenda
Interview with Lisa Panzera for ID: Formations of the Self

Value Study 1: A View of the Catskill Mountain House / Copied from a picture by S. Cole copied from a picture by T. Cole / 1848
2020
Oil and graphite on canvas
15 3/8 x 23 7/16 inches
Photo: Etienne Frossard
Value Study 1: A View of the Catskill Mountain House / Copied from a picture by S. Cole copied from a picture by T. Cole / 1848 (detail)
Photo: Etienne Frossard
Value Study 1: A View of the Catskill Mountain House / Copied from a picture by S. Cole copied from a picture by T. Cole / 1848 (detail)
Photo: Etienne Frossard
Value Study 2: Niagara Falls / Copied from a picture by Minot / 1818
2021
Oil and graphite on linen
30 x 40 3/4 inches
Photo: Aron Gent
Value Study 2: Niagara Falls / Copied from a picture by Minot / 1818 (detail)
Photo: Aron Gent
Value Study 2: Niagara Falls / Copied from a picture by Minot / 1818 (detail)
Photo: Aron Gent
Value Study 4: The Hudson as Seen from Henry Villard’s House—Tarrytown—Christmas / Copied from a picture by Julie H. Beers / 1881
2022
Oil and graphite on CNC-carved fiberboard
12 inches diameter
Value Study 4: The Hudson as Seen from Henry Villard’s House—Tarrytown—Christmas / Copied from a picture by Julie H. Beers / 1881 (detail)
Value Study 3: Niagara Falls / Copied from a picture by Minot / 1818
2022
Oil and graphite on linen
30 x 40 3/4 inches
Value Study 3: Niagara Falls / Copied from a picture by Minot / 1818 (detail)
Copies from The Young Ladies’ Assistant in Painting and Drawing, 1833 (version 2)
2022
Carbon pencil on paper
Framed: 11 3/4h x 14 1/4w x 1 1/2d inches
Copies from The Young Ladies’ Assistant in Painting and Drawing, 1833 (version 1)
2021
Carbon pencil on paper
Framed: 11 3/4h x 14 1/4w x 1 1/2d inches
Photo: Aron Gent
Copies from The Young Ladies’ Assistant in Painting and Drawing, 1833 (version 2) (detail)
Copies from The Young Ladies’ Assistant in Painting and Drawing, 1833 (version 2) (detail)
American Paradise (Second Edition)
2023
Oil on epoxy, aluminum, and steel on wood plinth
11.75 x 19.5 x 1.75 inches
American Paradise (Second Edition)
2023
Oil on epoxy, aluminum, and steel on wood plinth
11.75 x 19.5 x 1.75 inches
American Paradise (Second Edition)
2023
Oil on epoxy, aluminum, and steel on wood plinth
11.75 x 19.5 x 1.75 inches
Modifying Modesty 1
2022
Letterpress, silkscreen, and handwork on Stonehenge
20 x 15 inches
Edition of 20, 3 AP, 2 PP
Modifying Modesty 1 (detail)

Video walkthrough of Value Studies, my 2021 solo show at PATRON.

Value Study 1: A View of the Catskill Mountain House / Copied from a picture by S. Cole copied from a picture by T. Cole / 1848
2020
Oil and graphite on canvas
15 3/8 x 23 7/16 inches
Photo: Etienne Frossard
Value Study 1: A View of the Catskill Mountain House / Copied from a picture by S. Cole copied from a picture by T. Cole / 1848 (detail)
Photo: Etienne Frossard
Value Study 1: A View of the Catskill Mountain House / Copied from a picture by S. Cole copied from a picture by T. Cole / 1848 (detail)
Photo: Etienne Frossard
Value Study 2: Niagara Falls / Copied from a picture by Minot / 1818
2021
Oil and graphite on linen
30 x 40 3/4 inches
Photo: Aron Gent
Value Study 2: Niagara Falls / Copied from a picture by Minot / 1818 (detail)
Photo: Aron Gent
Value Study 2: Niagara Falls / Copied from a picture by Minot / 1818 (detail)
Photo: Aron Gent
Value Study 4: The Hudson as Seen from Henry Villard’s House—Tarrytown—Christmas / Copied from a picture by Julie H. Beers / 1881
2022
Oil and graphite on CNC-carved fiberboard
12 inches diameter
Value Study 4: The Hudson as Seen from Henry Villard’s House—Tarrytown—Christmas / Copied from a picture by Julie H. Beers / 1881 (detail)
Value Study 3: Niagara Falls / Copied from a picture by Minot / 1818
2022
Oil and graphite on linen
30 x 40 3/4 inches
Value Study 3: Niagara Falls / Copied from a picture by Minot / 1818 (detail)
Copies from The Young Ladies’ Assistant in Painting and Drawing, 1833 (version 2)
2022
Carbon pencil on paper
Framed: 11 3/4h x 14 1/4w x 1 1/2d inches
Copies from The Young Ladies’ Assistant in Painting and Drawing, 1833 (version 1)
2021
Carbon pencil on paper
Framed: 11 3/4h x 14 1/4w x 1 1/2d inches
Photo: Aron Gent
Copies from The Young Ladies’ Assistant in Painting and Drawing, 1833 (version 2) (detail)
Copies from The Young Ladies’ Assistant in Painting and Drawing, 1833 (version 2) (detail)
American Paradise (Second Edition)
2023
Oil on epoxy, aluminum, and steel on wood plinth
11.75 x 19.5 x 1.75 inches
American Paradise (Second Edition)
2023
Oil on epoxy, aluminum, and steel on wood plinth
11.75 x 19.5 x 1.75 inches
American Paradise (Second Edition)
2023
Oil on epoxy, aluminum, and steel on wood plinth
11.75 x 19.5 x 1.75 inches
Modifying Modesty 1
2022
Letterpress, silkscreen, and handwork on Stonehenge
20 x 15 inches
Edition of 20, 3 AP, 2 PP
Modifying Modesty 1 (detail)

Video walkthrough of Value Studies, my 2021 solo show at PATRON.

American Paradise

American Paradise is a new project that reframes the history of the Hudson River School to give visibility to the many women who were affiliated with this iconic movement but who have been largely omitted from the canon. The title of the project–invoked critically–takes its name from American Paradise: The World of the Hudson River School, an exhibition catalog published in 1987 by the Met that perpetuates the mythology of the Hudson River School as being founded by, and exclusively comprised of, men.

Read More

In fact, as early as 1818—seven years before its ostensible founding in 1825—women were painting scenes of the Catskills and beyond in styles ascribed to the movement’s “founding fathers,” Asher Durand and Thomas Cole.

American Paradise is comprised of a series of trompe l’oeil paintings that make visible the never-finished act of historical recovery, drawings that function as revisions to historical documents, print editions that visualize the surreptitious ways women transcended the constraints of their clothes and society, and a series of imagined second, third, and fourth editions of the Met’s 1987 iconic catalog that insert works by these women into the canon by way of the frontispiece. 

View Exhibitions:
Women Reframe American Landscape at the Thomas Cole National Historic Site and traveling to the New Britain Museum of American Art
Value Studies at PATRON
ID: Formations of the Self at the Shirley Fiterman Art Center

View Press and Other Texts:
Boston Globe
New York Times
Washington Post
Artnet
Hyperallergic
Art-agenda
Interview with Lisa Panzera for ID: Formations of the Self